design.chaoyang a.k.a. YANYING Design Studio was co-founded and operated by designers Maksim Wong and Haiyang Wen in Chengdu. As an integrated design studio, we specialize in branding, art direction, and typography. We delve into design scenarios across diverse sectors, dedicated to delivering systematic brand identity development and tailored design solutions for corporations, institutions, and individual clients.
◯ 品牌視覺識別設計 Brand Visual Identity Design ◯ 展覽及活動視覺設計 Exhibition & Event Design ◯ 出版物及印製品設計 Publication & Print Design ◯ 包裝設計 Packaging Design ◯ 環境圖形設計 Environmental Graphic Design
◯ 2025｜鶴湖海報展 · Hehu International Poster Exhibition｜入圍獎 ◯ 2025｜KTK 設計獎｜入圍獎 ◯ 2025｜新質點設計獎 · New Quality Design Awards｜銀獎 & 銅獎 ◯ 2025｜Brand 創意呈現 X · Brand Creative Realization X｜收錄 ◯ 2021—2024｜成都生活美學大賞 · Chengdu Aesthetics Awards｜入選 ◯ 2024｜KTK 設計獎｜入圍獎 ◯ 2024｜第二十屆亞太設計年鑒 · Asia-Pacific Design 20｜年度推薦 & 年度收錄 ◯ 2023｜第十九屆亞太設計年鑒 · Asia-Pacific Design 19｜年度收錄 ◯ 2023｜Brand 創意呈現 IX · Brand Creative Realization IX｜收錄 ◯ 2022｜第十八屆亞太設計年鑒 · Asia-Pacific Design 18｜年度收錄 ◯ 2022｜第十一屆「方正獎」設計大賽 · The 11th Founder Award｜入圍獎 ◯ 2021｜Brand 創意呈現 VIII · Brand Creative Realization VIII｜收錄 ◯ 2021｜澳門設計大獎 · Macau Design Award｜入圍
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Copyright © Designed by Maksim Wong & Haiyang Wen in design.chaoyang. 👨🏻💻🧑🏻💻
◯ 德格印經院典藏文物畫版全集 ◯ THE COMPLETE COLLECTION OF PRESERVED CULTURAL RELIC WOODBLOCKS OF DERGE PRINTING HOUSE
由四川美術出版社聯合德格印經院編纂、出版的《德格印經院典藏文物畫版全集》是一本旨在呈現德格印經院珍貴木刻版畫藝術與文化的書籍，具有重要的史料價值、文物價值及藝術價值。
全書共計近700頁，分為《畫集》《圖釋》兩冊，系統性梳理、輯錄了德格印經院珍藏的橫跨三個世紀的藏族藝術大師古畫版原作及唐卡畫版拓本，其中逾七成文物級畫版為近百年來首度面世，並配以詳細的漢藏雙語解讀文字。此外，根據內容的劃分，採用了不同尺寸、質地的紙張及印制形式，以此來盡可能還原和呈現出文物畫版的原貌和細節。
The book, co-compiled and issued by Sichuan Fine Arts Publishing House and Dege Sutra-Printing House, features valuable historical, cultural and artistic merits.
Consisting of two volumes (Album and Annotations) and nearly 700 pages, it collects three centuries’ ancient Tibetan master woodblocks and thangka rubbings from the institute. More than 70% of these relic-grade woodblocks are published for the first time in a century with bilingual Chinese-Tibetan captions. Differentiated paper specifications and printing methods are used to restore the works’ original details.
由四川美術出版社聯合德格印經院編纂、出版的《德格印經院典藏文物畫版全集》是一本旨在呈現德格印經院珍貴木刻版畫藝術與文化的書籍，具有重要的史料價值、文物價值及藝術價值。
全書共計近700頁，分為《畫集》《圖釋》兩冊，系統性梳理、輯錄了德格印經院珍藏的橫跨三個世紀的藏族藝術大師古畫版原作及唐卡畫版拓本，其中逾七成文物級畫版為近百年來首度面世，並配以詳細的漢藏雙語解讀文字。此外，根據內容的劃分，採用了不同尺寸、質地的紙張及印制形式，以此來盡可能還原和呈現出文物畫版的原貌和細節。
The book, co-compiled and issued by Sichuan Fine Arts Publishing House and Dege Sutra-Printing House, features valuable historical, cultural and artistic merits.
Consisting of two volumes (Album and Annotations) and nearly 700 pages, it collects three centuries’ ancient Tibetan master woodblocks and thangka rubbings from the institute. More than 70% of these relic-grade woodblocks are published for the first time in a century with bilingual Chinese-Tibetan captions. Differentiated paper specifications and printing methods are used to restore the works’ original details.
May. 2026
出版物及印製品設計
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出版物及印製品設計
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◯ LOW KEY 當代藝術展 ◯ LOW KEY: CONTEMPORARY ART EXHIBITION
直立空間於2026年4月10日開幕的群展「Low Key 當代藝術展」，集結了23位跨越代際與創作媒介的藝術家。他們的作品在此並置，不是為了證明某種風格上的同謀，而是為了呈現在差異之中，如何共享一種關於「度」的自覺。
此書為展覽配套畫冊，採用鏡面紙封面搭配內頁專色金屬油墨特別印制，盡顯光影質感。
Group Exhibition Low Key: Contemporary Art Exhibition, opening at Zhili Space on April 10, 2026, brings together 23 artists across generations and creative mediums. Their works are juxtaposed not to demonstrate stylistic conformity, but to reveal a shared awareness of "moderation" amid all differences.
This book is published as the official companion to the exhibition. It features a mirror-coated cover and inner pages printed with custom metallic inks to fully highlight luminous textural layers.
直立空間於2026年4月10日開幕的群展「Low Key 當代藝術展」，集結了23位跨越代際與創作媒介的藝術家。他們的作品在此並置，不是為了證明某種風格上的同謀，而是為了呈現在差異之中，如何共享一種關於「度」的自覺。
此書為展覽配套畫冊，採用鏡面紙封面搭配內頁專色金屬油墨特別印制，盡顯光影質感。
Group Exhibition Low Key: Contemporary Art Exhibition, opening at Zhili Space on April 10, 2026, brings together 23 artists across generations and creative mediums. Their works are juxtaposed not to demonstrate stylistic conformity, but to reveal a shared awareness of "moderation" amid all differences.
This book is published as the official companion to the exhibition. It features a mirror-coated cover and inner pages printed with custom metallic inks to fully highlight luminous textural layers.
Apr. 2026
書籍排印設計
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書籍排印設計
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◯ 放電：正負之間 ◯ SPARK: FROM POLE TO POLE
此次新媒體藝術大展於2026年4月至6月在A4美術館呈現，展覽從自然、人類與社會交織構成的三幕敘事展開。邀請觀眾重新凝視技術與人類意識之間那道不可見的閃光，沉浸於前衛、超驗的媒體藝術世界。
展覽主視覺設計以湖水為底、綠島為營，紅色塊象徵帳篷聚落，喻示一場春日裡的藝術集會。環繞湖邊的藝術家點位在畫面對角的正負點陣之間流轉，宛如將每位創作者化作帶電粒子，共同構建出呼應「放電」主題的電場視覺，讓此次群展成為一次場域間的能量共振。
This major new media art exhibition runs at A4 Art Museum April–June 2026. Arranged in a three-part narrative of nature, humanity and society, it invites visitors to explore the invisible spark between technology and human mind within an avant-garde, transcendent media art space.
The key visual features a lake and green island, with red blocks representing tent clusters for this spring art gathering. Lakeside artist markers flow between diagonal positive and negative dot grids. Artists appear as charged particles forming an electric field themed “Discharge”, creating an energetic resonance across the exhibition space.
此次新媒體藝術大展於2026年4月至6月在A4美術館呈現，展覽從自然、人類與社會交織構成的三幕敘事展開。邀請觀眾重新凝視技術與人類意識之間那道不可見的閃光，沉浸於前衛、超驗的媒體藝術世界。
展覽主視覺設計以湖水為底、綠島為營，紅色塊象徵帳篷聚落，喻示一場春日裡的藝術集會。環繞湖邊的藝術家點位在畫面對角的正負點陣之間流轉，宛如將每位創作者化作帶電粒子，共同構建出呼應「放電」主題的電場視覺，讓此次群展成為一次場域間的能量共振。
This major new media art exhibition runs at A4 Art Museum April–June 2026. Arranged in a three-part narrative of nature, humanity and society, it invites visitors to explore the invisible spark between technology and human mind within an avant-garde, transcendent media art space.
The key visual features a lake and green island, with red blocks representing tent clusters for this spring art gathering. Lakeside artist markers flow between diagonal positive and negative dot grids. Artists appear as charged particles forming an electric field themed “Discharge”, creating an energetic resonance across the exhibition space.
Apr. 2026
展覽視覺設計
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展覽視覺設計
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◯ design.超洋 ◯ design.chaoyang
檐楹®設計事務所即日起，正式宣佈將品牌形象全新升級為「design.超洋」。
「超洋」二字，取自工作室創辦人王一超、文海洋之名。此次更名，是為將目光重新聚焦設計的幕後—設計師本身，願創作背後的專業力量與藏於細節的創作溫度被看見、被銘記。
YANYING Design Studio is officially rebranded to design.chaoyang.
"chaoyang" takes its name from the studio's founders Wang Yichao and Wen Haiyang. This rebranding turns the spotlight back to the creators behind design – honoring the professional strength and heartfelt warmth in every detail of our work, and letting the power of design speak for itself.
檐楹®設計事務所即日起，正式宣佈將品牌形象全新升級為「design.超洋」。
「超洋」二字，取自工作室創辦人王一超、文海洋之名。此次更名，是為將目光重新聚焦設計的幕後—設計師本身，願創作背後的專業力量與藏於細節的創作溫度被看見、被銘記。
YANYING Design Studio is officially rebranded to design.chaoyang.
"chaoyang" takes its name from the studio's founders Wang Yichao and Wen Haiyang. This rebranding turns the spotlight back to the creators behind design – honoring the professional strength and heartfelt warmth in every detail of our work, and letting the power of design speak for itself.
Feb. 2026
品牌徽標設計
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品牌徽標設計
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